The half-diminished seventh chord, derived from a minor seventh chord based on the supertonic, is a powerful, dominant chord. In its most basic form, the dominant is a major triad, while in more advanced forms, it is often a dominant seventh chord. It makes one think of an upscale bar where one may relax with friends and enjoy a well-made beverage.
In contrast to the major ii-V-I, it has a somber atmosphere. If you are a Latin jazz guitarist lover, you will often hear this minor harmony. To give your fingers the taste of this progression, I recommend trying out Moose the Mooche by Pat Metheny, Isn’t It Romantic by Tal Farlow. Examples of Major ii – V – I Jazz Standard Form Thus, establishing and playing the tonality vi-ii-V-I progression of root movement by descending fifths includes an ii-V-I progression. Major ii – V – I jazz theoryĮach chord in the progression has a root on the second degree (supertonic), the fifth degree (dominant 7th chord), and the tonic. Playing the II-V-I progression is an excellent way for jazz artists of all ability levels to hone their musical and harmonic abilities in creative ways. No doubt, as it is the most common progressions to start with. You would think you’ve entered “jazz chord odyssey” territory after knowing this particular piano chord.
